The Diving Pool Synopsis:
Beautiful, twisted and brilliant – discover Yoko Ogawa.
A lonely teenage girl falls in love with her foster-brother as she watches him leap from a high diving board into a pool – sparking an unspoken infatuation that draws out darker possibilities.
A young woman records the daily moods of her pregnant sister in a diary, but rather than a story of growth the diary reveals a more sinister tale of greed and repulsion.
Driven by nostalgia, a woman visits her old college dormitory on the outskirts of Tokyo. There she finds an isolated world shadowed by decay, haunted by absent students and the disturbing figure of the crippled caretaker.
Translated from the original Japanese by Stephen Snyder.
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The three novellas comprising Yoko Ogawa’s collection The Diving Pool have a distinctly different flavour to the previous work of hers I’d read, The Housekeeper and The Professor.
While The Housekeeper and The Professor was a charming and overtly gentle tale, the stories within The Diving Pool all tap into dark places of the human psyche and sinister intentions, but in varying ways.
Common to all her work is the appealing lack of pretence in Ogawa’s prose (and that translated by Stephen Snyder). Words are not squandered but chosen carefully to extract maximum value – a writing style I have great admiration for.
I found the title novella ‘The Diving Pool’ the most successful of the three pieces. In this piece some descriptions of the characters’ environment were particularly tangible,
It’s always warm here: I feel as though I’ve been swallowed by a huge animal. After a few minutes, my hair, my eyelashes, even the blouse of my school uniform are damp from the heat and humidity, and I’m bathed in a moist film that smells vaguely of chlorine.
while others were shocking and visceral,
Her lips were like two maggots that never stopped wriggling, and I found myself wanting to squash them between my fingers.
The lead character in ‘The Diving Pool’ was the most capably sinister and garnered the greatest revulsion from me.
The second piece, ‘The Pregnancy Diary’ centres on obsession, self-delusion and a sinister form of karma. This story was quite linear and held my interest the least, but nonetheless provides a worthy caution in respect to the ‘quiet ones’ in society.
The final piece, ‘Dormitory’ evoked a more haunting and weighty feeling, with the commonplace often viewed through a fantastical lens. While its greater complexity and mystery element held my interest, the lead female’s overt ‘head in the sand behaviour’ and the looseness of the resolution frustrated me.
I personally had an intense dislike of the female characters within these stories – they play passive and almost mute victim roles in society. They do not attribute value to themselves and when they do lash out it is often behind the veil of cowards. I felt like I was supposed to feel sympathy for them, but I just didn’t. My strong reaction to Ogawa’s characters, despite that reaction being negative, indicates her skill in their portrayal. They are however not characters I would choose to spend a lot of my leisure reading time with – so I’m left in no hurry to pick up another of Ogawa’s works, despite her authorial talent.
The Diving Pool showcases Ogawa’s originality and refreshingly minimal prose, but is ‘very Japanese’ in that it taps into the darkness emanating from the under-appreciated and unseen within society. Not recommended for those already in a dark mood…
BOOK RATING: The Story 3 / 5 ; The Writing 4 / 5 — Overall 3.5
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Genre: Literature, Translation, Thriller, Mystery, Short Stories
Author Information, Yoko Ogawa
Yoko Ogawa’s fiction has appeared in The New Yorker, A Public Space, and Zoetrope. Since 1988 she has published more than twenty works of fiction and nonfiction, and has won every major Japanese literary award.