Today we welcome Aussie author Elizabeth Jane Corbett to share with us the inspiration behind her debut novel The Tides Between. And, to celebrate this title’s recent release, there is a tour-wide giveaway open to all readers.
The Tides Between – an Aussie immigration novel that got hijacked by Welsh fairy-tales
It started with a mid-life crisis. In the lead-up to a significant birthday (let’s not be specific) I wrote a list of all the things I’d like to have achieved by that stage in my life. ‘Write a Novel’ topped the list. See, I’d always been a bookish kind of girl and, having been raised on stories of an author in the family, and, having trained as a librarian (because only clever people wrote novels), I had this always-wanted-to-write-a-novel thing deep in my psyche. On the occasion of my significant birthday, I decided, I’d better make a start before it was too late.
Emigrating to Australia as a five-year-old had been the defining event of my childhood. So why not make it an immigration novel? But not my own story. That was too boring. I’d done a history degree as an undergraduate and loved reading historical fiction. So maybe an historical novel? But I still had four children living at home in those days and absolutely no research budget. So maybe an Aussie immigration novel, so I could get resources from the local library?
During my university years, I’d been fascinated by Caroline Chisholm, a nineteenth century immigrant woman who advocated on behalf of vulnerable female migrants to Australia. I borrowed some biographies on Chisholm, then broadened my research out to immigration in general. By which stage, to my immense surprise, characters were forming in my head. A young girl was the primary one. I called her Bridie. She had lost her father in tragic circumstances. I had this notion that a creative young couple on the ship would help her come to terms with her loss. Initially, I imagined they were Irish. But wait, hang on, too cliché. Besides, I didn’t have any Irish relations and my proposed research trip would be reliant on long-lost family accommodation. But Mum was Welsh. Maybe my creative young couple could be Welsh?
I knew nothing about Wales at that stage – apart from rugby and male voice choirs. But Rugby wasn’t played in the 1840s and, even if I could have invented a scenario in which a whole male voice choir emigrated to Australia en masse, I didn’t think a young girl would find it inspiring. Some quick research told me Wales had a strong bardic culture.
Hmm…maybe my Welsh couple could be storytellers?
While this fermentation was going on, I learned there were Welsh classes in Melbourne. I’d read How Green Was My Valley and realised that Welsh people spoke English differently. I thought maybe a term of Welsh lessons would help me understand why. I had no idea the language of my fathers was so beautiful. Or that the Wales was engaged in an even-now battle to keep the language alive. Somehow, one term of lessons became two, then three. Before, long I realised I didn’t want to stop.
So, I had characters, and this love affair with a language going on. Time to start writing. I did a short ‘How to Write a Novel’ course which scared the Bejeezus out of me. I thought: if I worry about everything I need to know I’ll never find the courage to write. I decided to simply let my characters board the ship and see what happened.
The first draft took me about a year. It was a great, big rambling mess that somehow got shortlisted for a manuscript development award. Hmm…so maybe I could write? And I now had a full first draft. Perhaps it was time to learn all those things I should have learned before starting out?
I had the manuscript professionally assessed twice and did some novel subjects at a local Technical and Further Education college. External assessors told me it was a good story, and worth pursuing. While, a voice inside kept telling me to give up. I was wasting my time. No one ever got their first novel published. See, I’d been to realise mine was an unusual manuscript. A young girl’s coming-of-age tale with embedded Welsh fairy-tales that had both adult and young adult viewpoints. Like, where was it going to sit on the bookshop shelves? But I am a pretty stubborn and, though wrestling with self-doubt, I had to see the process through to the end, no matter the outcome.
In the end, I re-wrote the manuscript four times. The ensuing novel, The Tides Between was published by Odyssey Books in October 2017. On the surface, it is a coming-of-age tale that can be enjoyed by teenagers. Yet it also has embedded Welsh fairy tales, which both mirror and inform the plot, and fantasy elements and, although the story is steeped in ancient folklore, it explores modern themes of mental illness, failed marriage, blended families, disillusionment, and how to read sacred stories with different eyes. Hopefully that makes it a book with crossover potential. Especially among those who love fairy tales, folklore and a bit of Celtic mysticism with their history.
Disclosure: If you click a link in this post and make a purchase, I may earn a small commission.
The Tides Between Synopsis:
She fancied herself part of a timeless chain without beginning or end, linked only by the silver strong words of its tellers.
In the year 1841, on the eve of her departure from London, Bridie’s mother demands she forget her dead father and prepare for a sensible, adult life in Port Phillip. Desperate to save her childhood, fifteen-year-old Bridie is determined to smuggle a notebook filled with her father’s fairytales to the far side of the world.
When Rhys Bevan, a soft-voiced young storyteller and fellow traveller realises Bridie is hiding something, a magical friendship is born. But Rhys has his own secrets and the words written in Bridie’s notebook carry a dark double meaning.
As they inch towards their destination, Rhys’s past returns to haunt him. Bridie grapples with the implications of her dad’s final message. The pair take refuge in fairytales, little expecting the trouble it will cause.
Publication Date: October 20, 2017, Odyssey Books. Paperback; 300 Pages.
Genre: Fiction/Young Adult/Historical
About the Author, Elizabeth Jane Corbett
When Elizabeth Jane Corbett isn’t writing, she works as a librarian, teaches Welsh at the Melbourne Celtic Club, writes reviews and articles for the Historical Novel Society and blogs at elizabethjanecorbett.com. In 2009, her short-story, Beyond the Blackout Curtain, won the Bristol Short Story Prize. Another, Silent Night, was short listed for the Allan Marshall Short Story Award. An early draft of her debut novel, The Tides Between, was shortlisted for a HarperCollins Varuna manuscript development award.
Elizabeth lives with her husband, Andrew, in a renovated timber cottage in Melbourne’s inner-north. She likes red shoes, dark chocolate, commuter cycling, and reading quirky, character driven novels set once-upon-a-time in lands far, far away.
Check out the other blog stops on this Historical Fiction Virtual Blog Tour (4-15th December).
We will be giving away a signed copy of The Tides Between and Bookplate! To go in the draw, please enter via the Gleam form below.
- Giveaway ends at 11:59pm EST on December 15th. You must be 18 or older to enter.
- Giveaway is open INTERNATIONALLY.
- Only one entry per household.
- All giveaway entrants agree to be honest and not cheat the systems; any suspect of fraud is decided upon by blog/site owner and the sponsor, and entrants may be disqualified at our discretion.
- Winner has 48 hours to claim prize or new winner is chosen.