Here are just a few of the titles being released in March 2015, or very late February, that have caught my eye.
An extraordinary new novel from the author of Never Let Me Go and the Booker Prize winning The Remains of the Day.
‘You’ve long set your heart against it, Axl, I know. But it’s time now to think on it anew. There’s a journey we must go on, and no more delay…’
The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years. Sometimes savage, often intensely moving, Kazuo Ishiguro’s first novel in a decade is about lost memories, love, revenge and war.
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In the tradition of A. S. Byatt’s Possession, a hauntingly poignant novel about madness, loss, and the ties that bind our past to our present
Deep in the woods of northern England, somewhere between a dilapidated estate and an abandoned Victorian asylum, fifteen-year-old Jane Standen lived through a nightmare. She was babysitting a sweet young girl named Lily, and in one fleeting moment, lost her. The little girl was never found, leaving her family and Jane devastated.
Twenty years later, Jane is an archivist at a small London museum that is about to close for lack of funding. As a final research project–an endeavor inspired in part by her painful past–Jane surveys the archives for information related to another missing person: a woman who disappeared over one hundred years ago in the same woods where Lily was lost. As Jane pieces moments in history together, a portrait of a fascinating group of people starts to unfurl. Inexplicably tied to the mysterious disappearance of long ago, Jane finds tender details of their lives at the country estate and in the asylum that are linked to her own heartbroken world, and their story from all those years ago may now help Jane find a way to move on.
In riveting, beautiful prose, The World Before Us explores the powerful notion that history is a closely connected part of us–kept alive by the resonance of our daily choices–reminding us of the possibility that we are less alone than we might think.
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In this dazzling debut novel, four young brothers in a small Nigerian town encounter a madman, whose prophecy of violence threatens the core of their family Told from the point of view of nine-year-old Benjamin, the youngest of four brothers, The Fishermen is the Cain and Abel-esque story of an unforgettable childhood in 1990s Nigeria. When their father has to travel to a distant city for work, the brothers take advantage of his extended absence to skip school and go fishing. At the forbidden nearby river they encounter a madman, who predicts that one of the brothers will kill another. What happens next is an almost mythic event whose impact – both tragic and redemptive – will transcend the lives and imaginations of both its characters and its readers.
Chigozie Obioma emerges as one of the best new voices of modern African literature, echoing its older generation’s masterful storytelling with a contemporary fearlessness and purpose.
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From Salley Vickers, bestselling author of Miss Garnet’s Angel, comes The Boy Who Could See Death, an enchanting and unsettling collection of short stories.
Eli is an ordinary boy with an extraordinary gift. It will shape the course of his whole life but, he learns the hard way, he must keep it hidden from those who know him best. Seeing death is a mixed blessing. Eli is not the only one defying the world’s expectations of him. Cousin Francesca, a charming spinster and a favourite with the children, is harbouring kleptomaniac tendencies. Sarah Palliser, living alone next to a ramshackle graveyard, is more scared of the small box under her stairs than the ghosts outside her window. Meanwhile dreamy artist Nan is nursing a growing obsession with wolves in Britain and the recently widowed Frances finds herself inventing an exotic imaginary boyfriend to pass the time. Push through an unassuming front door on an unremarkable street or peer into the glowing fluorescent windows of an urban office block and within you’ll find strange and unforgettable scenes, normal people caught in situations they do not quite comprehend…
Salley Vickers is a master of the uncanny and the unexpected. In this collection of eleven remarkable stories, she explores bereavement and betrayal, closely guarded secrets and common gossip, long-overdue endings and decidedly strange beginnings. Each story is perfectly formed: a snapshot of a total stranger, a fleeting glimpse of lives spiced with a little something extra.
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A hilarious and dazzling debut novel about a master impressionist at risk of losing his true self.
All his life, Giovanni Bernini has possessed an uncanny gift: he can imitate anyone he meets. Honed by his mother at a young age, the talent catapults him from small-town obscurity to stardom.As Giovanni describes it, No one’s disguise is perfect. There is in every person, no matter how graceful, a seam, a thread curling out of them. . . . When pulled by the right hands, it will unravel the person entire.” As his fame grows, Giovanni encounters a beautiful and enigmatic stage singer, Lucy Starlight the only person whose thread he cannot find and becomes increasingly trapped inside his many poses. Ultimately, he must assume the one identity he has never been able to master: his own.
In the vein of Jonathan Lethem’s and Kevin Wilson’s playful surrealism, Jacob Rubin’s The Poser is the debut of a major literary voice, a masterfully written, deeply original comic novel, and the moving story of a man who must risk everything for the chance to save his life and know true love.
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It’s the summer of 2015, Brooklyn. The city is sweltering from another record-breaking heat wave, this one accompanied by biblical rains. Edith, a recently retired legal librarian, and her identical twin sister, Kat, a feckless romantic who’s mistaken her own eccentricity for originality, discover something ominous in their hall closet: it seems to be phosphorescent, it’s a mushroom . . . and it’s sprouting from their wall.
Upstairs, their landlady, Vida Cebu, a Shakespearian actress far more famous for her TV commercials for Ziberax (the first female sexual enhancement pill) than for her stage work, discovers that a petite Russian girl, a runaway au pair, has been secretly living in her guest room closet. When the police arrest the intruder, they find a second mushroom, also glowing, under the intruder’s bedding. Soon the HAZMAT squad arrives, and the four women are forced to evacuate the contaminated row house with only the clothes on their backs.
As the mold infestation spreads from row house to high-rise, and frightened, bewildered New Yorkers wait out this plague (is it an act of God?) on their city and property, the four women become caught up in a centrifugal nightmare.
Part horror story, part screwball comedy, Jill Ciment’s brilliant suspense novel looks at what happens when our lives-so seemingly set and ordered yet so precariously balanced-break down in the wake of calamity. It is, as well, a novel about love (familial and profound) and how it can appear from the most unlikely circumstances.
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